Sarasate, Saint-Saëns, Wieniawski and Ysaÿe
A programme of fireworks and sweetmeats to showcase Höpcker´s technical brilliance.
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Tracklist:
Pablo de Sarasate (1844-1908)
Aires Gitanos/Gypsy Airs, Op. 20 | 9:05 | |
Moderato - Lento - Un poco più lento (1) | 7:01 | |
Allegro molto vivace (2) | 2:04 | |
Romanza Andaluza, Op. 22 No.1 | 5:25 | |
Habanera, Op. 21 No.2 | 5:55 |
Eugène Ysaÿe (1858-1931)
Sonata for Solo Violin No.6, Op.27 | 7:24 |
Camille Saint-Saëns (1835-1921)
Havanaise, Op. 83 | 10:06 |
Henri Wieniawski (1835-1880)
Polonaise de Concert in D, Op. 4 | 5:46 | |
Légende, Op. 17 | 7:31 | |
Fantaisie Brillante sur des motifs de l‘opéra »Faust« de Gounod, Op. 20 | 17:41 | |
Allegro moderato - Andante ma non troppo (9) | 6:42 | |
Allegro agitato non troppo (10) | 2:19 | |
Andante (11) | 5:10 | |
Tempo di Valse, Allegro non troppo (12) | 3:30 |
Total Time: 69:02 Minutes
Reviews:
A Fizzing collection of violin Showpieces
Here is a programme of fireworks and sweetmeats to showcase Sabrina-Vivian Höpcker´s technical brilliance.
The gifted young German violinist´s silky virtuosity makes light of the hair-raising difficulties the music presents. Yet amid the frothy pleasures of Sarasate´s Habanera and Wieniawski´s Fantaisie brillante on themes from Gounod´s Faust, we have the more serious exploration of technique in the single movement of Ysaÿe´s Sixth Sonata, where pages of double-stopping display Höpcker´s impeccable intonation.
Almost without a pause between the tracks, the piano introduces Saint-Saëns´s Havanaise, where subsequently Höpcker´s fingers fly around the fingerboard with dazzling speed, and precision is interspersed with her honeyed tone in slow passages. ...
It serves to heighten Höpcker´s mercurial dexterity in the final Allegro molto vivace, however, and it is a device she uses later in the disc when slow and fast sections sit side by side. Fabio Bidini is the responsive and well-balanced partner. ...
The STRAD, David Denton, March 2013